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Why should you want a minimalist set of travel photography gear?
I expect it for the same reason: it’s more fun because it’s more comfortable.
Learning to shoot with minimal gear reduces the weight you carry and stops you from worrying about the ‘what ifs’ of having extra gear.
The human need for ‘just in case’ keeps people carrying what they want rather than what they really need.
Figuring out what you need to shoot with is tricky and often takes some experience.
To get there, you often need to keep your practical head on and find peace in understanding that you can only achieve what you can with the kit you have chosen to carry.
My days of travelling with minimal kit started a long time ago—back in 2014, to be precise, and this is how it began.
I’d travelled to Paris with a fully laden professional Nikon DSLR kit.
It weighed around 10kg, and I barely used most of it.
It was, by and large, an unpleasant experience dragging it around everywhere.
Fast-forward a few months after I’d been on the hunt for a reasonably priced, small, lightweight camera, and I came across the Fujifilm X-T10.
This was to be the start of a beautiful relationship. I’m still shooting on Fujifilm in my personal time, and I’ll tell you more about that shortly.
I’m a professional photographer in my day job and shoot on two Canon R5 cameras.
They are full-frame, larger and heavier than my Fuji, and come with impressive but heavy glass.
There is no denying they are great cameras, but I would not choose them for their size and weight, which brings me nicely to my minimalist travel photography gear list.
This is a tricky article to write because there isn’t a one-size-fits-all solution for my minimalist travel photography gear.
Depending on how I feel and what my intention is, I will take one of two lenses or even both.
So, my kit usually consists of six or seven items from this list, and I’ll explain how to use each as we progress through the post.
I have built a comprehensive list of travel photography gear over the years.
However, a few standout gear items are used more than the rest and form my minimalist travel photography gear when travelling.
The kit’s basis is always the same—Fujifilm X-T5, strap, battery, and two memory cards. The only bits that change are the lenses.
I don’t carry spares.
Read on to discover which spares I don’t carry.
It’s a tough job trying to minimise your kit.
As humans, we usually have a ‘just in case’ attitude, and I’ve had to put that consideration to one side and consider what I need and cannot do without to achieve a set of pictures I will be happy with.
1 | A Camera
First up is a camera, of course.
I’ve been with Fujifilm for a while and feel invested in the X-Series lineup.
I’m on my third body now and have a fair amount of lenses.
That’s not to say I wouldn’t ever change, but it meets my current needs.
Those needs are for a small, robust, and lightweight camera that performs well.
The Fujifilm X-T5 meets all those needs and is my current camera of choice.
The X-T5 is a mirrorless camera.
There is no way I would step back into the world of DSLRs.
The future of DSLR cameras is bleak, and mirrorless cameras usually win in size and weight, making them ideal minimalist travel photography gear.
I’ve put together a full Fujifilm X-T5 review that gives you the lowdown on the camera.
Plenty of other cameras on the market will meet your needs, not just Fujifilm’s.
However, the Fujifilm range includes some favourites among minimalist photographers, such as the X100VI.
It features a fixed lens, which isn’t something I’m keen on.
I prefer the flexibility to switch lenses.
That said, I can see the appeal for hardcore minimalists.
Anyway, if you’re looking for a camera to suit your minimalist needs, I recommend sticking with a reasonably priced interchangeable mirrorless camera and avoiding DSLRs altogether.
2 | A Lens
This is the hardest part of all the sections to write about, stripping down your camera gear to the absolute essentials.
This is where I try to strike a balance—a balance that shifts with mood, need, location, and what else is in my daysack.
Striking the balance among size, weight, and need can be tricky, but my two favourite and most-used lenses are listed below.
Almost without exception, I will have one or both of these with me.
Any camera can take a picture that meets most people’s needs for online use, but the glass is the key part.
Without the right glass, you can’t achieve what you want to.
For example, depth of field is an essential consideration for me.
I’m not content to shoot at smaller apertures because, in some cases, they don’t yield the visuals I want.
Shooting a full-frame 50mm 1.4 lens will give a shallower depth of field than a 50mm (equivalent) 1.4 lens on a cropped-sensor camera, such as Fujifilm X-Series cameras.
However, I am willing to compromise on the trade-off between size, weight, and depth of field.
FUJINON XF33mmF1.4 R LM WR
In the true sense of minimalist travel photography gear, this is the only lens that matters.
For over a decade, I shot on the Fujifilm 35mm f/1.4.
The 35mm was my second most used lens and, for a long time, was one of my favourites, if not my favourite.
However, I replaced the 35mm with the Fujifilm 33mm f/1.4.
Both lenses are solid performers, have wide apertures, and are versatile despite being fixed focal-length lenses.
Although the 35mm is optically imperfect, it is small and light, making it well-suited to minimalist travel photography.
The 33mm is pretty much optically perfect, which is why I swapped the lenses.
If you are wondering about the differences between the Fujifilm 33mm and 35mm, I’ve compiled a comparison.
You can see plenty of pictures taken with my 33mm lens on our postcards from Cornwall post.
If there were only one lens I could ever shoot on again, it would be the Fujifilm 33mm f1.4.
It’s a classic focal length (50mm full-frame equivalent) that people have been shooting on for generations.
It was developed long before variable-focal-length lenses existed, and it’s the perfect pairing for my camera.
When I learned photography in 2010, I shot on the Nikon trilogy, the holy grail of lenses, with a focal range from 14mm to 200mm, all at f/2.8.
Interestingly, despite the range, the wide-angle was rarely used, and the 24-70 was the boring but safe choice.
It wasn’t until I started shooting with prime lenses that I realised their value extends beyond most standard variable-focal-length lenses in the 24-100mm range.
A decent variable-focal-length lens produces impressively sharp results these days because there isn’t much optical difference among them.
But there is one thing they can’t compete with – the aperture.
This means they can produce results you can’t achieve with variable aperture lenses.
Not yet, anyway.
The Canon 28-70 f/2 comes close, but it weighs a whopping 1.4kg.
Get that in your minimalist travel photography gear!
Having said all that, I have a soft spot for one variable focal length lens.
FUJINON XF50-140mmF2.8 R LM OIS WR
It’s difficult to choose a single lens, so the Fujinon 50-140mm f/2.8 is included here as well.
If I’m on a general day out with no intention of shooting anything specific, I’ll take the 50-140.
And if I’m travelling overseas, this is usually with me.
After searching through my archive to write a review about the lens, I discovered it is, by far, my most-used lens.
Surprisingly versatile, it’s a solid performer and meets my shooting style.
It may seem controversial to suggest carrying a rather large lens on a minimalist travel photography gear list, but it can do a lot, and it’s the reach I love.
After all, the kit I choose must strike the best balance between the smallest, lightest setup I am willing to accept on any given trip and the one that lets me capture a set of pictures I’ll be happy with.
The Fujifilm 50-140mm is a pleasure to use, a great performer, smaller and lighter than its full-frame counterparts, a lens I trust optically, and f/2.8 all the way through.
Here are some posts that mostly feature examples of this lens and what it’s capable of: Kew Gardens and Milan.
3 | A Phone
The gap between cameras and phone cameras is closing.
Companies are investing heavily in developing better cameras, and they are quickly catching up.
I bought a Google Pixel to complement my minimalist travel photography gear because it lets me skip carrying a wide-angle lens and spending a lot of money on a specialist lens.
That’s because the Google Pixel has a super-wide-angle lens, shoots in raw, delivers solid results, and I always have it with me.
It’s a no-brainer, and I’m doubtful I will ever buy a wide-angle lens, given how good phone cameras and their wide lenses are.
4 | Strap
You don’t need a strap, but it’s more comfortable, and I suggest you use one (ha!).
The strap that came with the camera was suitable, but I thought I’d dress it up a bit with something more in my style.
In my case, I bought a handcrafted leather-and-paracord strap from a little camera shop in Porto.
It’s fitted with Peak Design Anchor Links, which come in handy when I want to remove the strap without removing it from the camera’s strap lug rings.
When shooting in portrait orientation, they get in the way a bit, but I can accept that.
5 | Cleaning Cloth
This should go without saying, but it’s on the list anyway.
I recommend carrying a cleaning cloth to help keep your lens clean.
They are also helpful if a spot of rain falls on the glass.
Anything else is a waste of space, like a lens pen.
A cloth will do just fine, and they screw up pretty small in your pocket.
They are cheap to get, and I recommend looking for microfibre cloths.
6 | Nit-Core Stick-it Wrap
This one might be controversial, but I don’t use a camera bag.
When I travel, my camera kit goes in the backpack with everything else I’m taking.
That’s because camera bags are bigger than I’d like.
We don’t use checked baggage; we travel with backpacks only.
Camera bags tend to come with a ton of padding, which is a bit of a waste of space when space is at a premium, hence the wrapper.
I can wrap the camera in its case and put it in my bag, knowing it’s safe from scratches.
However, the camera is around my neck most of the time, too.
After all, keeping your camera out is one of my top travel photography tips.
What I Don’t Carry
Now that the main list is out of the way, here are the things I don’t carry:
- Spare battery
- Charger
- Memory cards
- Memory card reader
More controversy, I know!
That’s because the Fujifilm X-T5 battery will last long enough to take all the pictures I could wish for in one day.
This means I will charge it when I retire to the accommodation at the end of the day.
The batteries are small and light enough, but I don’t think I need to carry extra ones.
I’ve never once run out of battery, and believe it or not, when I travelled to Ibiza with my old Fujifilm X-T2, I forgot spare batteries and a charger.
I couldn’t charge it via USB, but it lasted long enough for a few days away.
I also don’t carry a battery charger.
The X-T5 can be charged via USB-C, like my mobile phone and MacBook.
So, I will top up the camera when the phone or laptop isn’t getting charged.
I don’t carry any spare memory cards, either.
I have two in the camera body, and they have served me well.
They are big enough to never fill them up on a shoot.
Finally, I don’t carry a memory card reader.
Because the camera uses USB-C, I can use the MacBook charger to connect it and download the imagery.
Again, these items are small and light, but they all start to add up.
You might be cursing me now, but remember: this is about minimalist travel photography gear, which means: What is the least amount of kit I can carry to take pictures I will be satisfied with?
It’s not about belts and braces and carrying things just in case—it’s about carrying the absolute minimum amount of gear to get what you need.
Chargers, cables, batteries, and memory card readers are unnecessary at this stage of my photography life.
That doesn’t mean I won’t take them in the future, but they don’t need to be taken on trips right now.
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